Writing the Way Home

Book project supported by VFP 21

By Jan Barry

Across America, a special gift is arriving at numerous homes this week. This gift is a new book by Warrior Writers titled After Action Review: A Collection of Writing and Artwork by Veterans of the Global War on Terror.

What makes this book decidedly different from so many other gifts this holiday season is three-fold: its handcrafted artistry by young men and women who turned sleepless nights and troubled days into making art with hands that for too long held war weapons; its funding by dozens of supporters who collectively chipped in thousands of dollars to pay for the printing and postage; and its timing—published just as the war in Iraq was officially declared over and the last US military units departed that war-savaged land.

Here at home, a great many veterans of deployments in Iraq and Afghanistan are trying to turn off unrelenting war memories. Some try chasing off nightmares with hard drinking, drugs, death-defying lifestyles. Some find nothing seems to work. As Zach LaPorte, a former Army Ranger who served twice in Iraq, writes in a poem titled “Spliced”:

My life is like a slide show, spliced with images of the desert.
Mom asks me if I like the potatoes,
     A woman shrieks from a bloodied mouth.
My Professor hands me an exam paper,
     I’m riding in the door of a Blackhawk.
I walk alone at night past neon signs,
     Crimson tracers snap so close you could touch.
I sit in my air-conditioned cubicle,
     The blood in my brain boils.
The scars run deeper than they appear.

LaPorte’s poem is a troubling, yet heartening example of what the Warriors Writers project and this anthology are about: writing war images and injuries out, releasing them to the light of day, shared with those who care, aired to help heal hidden torments that long ago were called “soldier’s heart.”

"It's hard to overestimate how writing can heal long scarred over wounds that every veteran inevitably has,” Josiah White, a former Marine who was wounded by a suicide bomber, writes in a quote displayed on the back cover. “These stories and poems also have the power of communicating a near impossible message to non-veterans, those hurt by war, those hurt by tragedy, anyone who has ever suffered and asked the question ‘why?’ No one will read this book and come away unchanged."

With the 10-year war in Afghanistan still raging and flailing dangerously into Pakistan, this book raises veterans’ concerns that extend far beyond the mission in Iraq that just ended. In the Foreword, Brian Turner—author of one of the first poetry books to come out of the war in Iraq, Here, Bullet—writes that the works in this anthology “seem to suggest that we would be wise to take stock of where we are now, as a country.”

Many of the pieces in this collection by more than 60 contributors focus on an incident that triggered disconcerting change in perspective in the midst of military life. In a poem titled “Happy Birthday,” Zachariah Dean writes about suddenly realizing he just turned 26 as death whizzes by in the middle of a firefight in Afghanistan in which his rifle is jammed by a defective bullet. Scrambling to fix the rifle, it hits him how carelessly he’s led his life to end up in such a desperate jam. "I wrote this in a hurry in a machine gun turret several nights later,” he notes in the poem, stunned by the surreal experience. “Try to burn it out of memory by putting it on paper…"

Others focus on trying to find a thread that may bring deeply sought change for the better in a veteran’s life. In a sardonic welcome home for himself and other veterans, Garett Reppenhagen wrote in a poem titled “Black Out Drive”:

“Heeeey, welcome home brother.”
Just grip that wheel hero.
Stay alert, stay alive.
The real war has just started,
Your fight to survive.

Jacob George, who served three tours in Afghanistan with the Army, reaches out to fellow Americans in a poem titled “Support the Troops”:

don’t thank me for what I’ve done

give me a big hug
and let me know
we’re not going to let this happen again
because we support the troops
and we’re gonna bring these wars to an end 

Unlike collections of writings by warriors of previous wars, women veterans take a prominent role in this anthology. Air Force veteran Kristina Vogt captures the bizarre military bureaucratic mumbo-jumbo that she describes as, from a female perspective, creating “the womb of the WoMD” (weapons of mass destruction)—the official reason for invading Iraq, which became as illusive as a desert mirage.

“I am the savage,” writes Emily Yates, who served two combat tours in Iraq, describing bursting into “proud homes” looking for elusive enemies, where women and children “stand in the doorway with fearful faces,” while she the armed American soldier wields “the weapon of ignorance … the shield of arrogance,” speaking with “the voice of entitlement….”

Former Army sergeant Robynn Murray, in a poem titled “Eviscerated,” throws the disillusionment of serving in terrorizing raids on Iraqi civilians directly at war supporters back home:

I am your walking wounded broken toy soldier,
and your flag is burning and all your yellow ribbons have fallen down.
I cut open these festers to force your eyes to see the truth so damn it, LOOK!
Look at what has become of me, of us.

I will gladly reopen these wounds if there is change that will come of it.
So that no one else receives these scars. …

Woven throughout the poetry and essays in this collection is an arresting gallery of often startling artwork. These include an American flag made of bullet casings (“Bullet Flag” by Lars Ekstrom); a toy soldier inside a prescription bottle (“Trapped” by Malachi Muncy); and a drawing of a walking skeleton with flaming oil derricks crowning the skull (“Greed Walks” by Eric Estenzo).

Many of the works in this book address post-traumatic stress disorder (PTSD). Chantelle Bateman, a Marine veteran of Iraq, writes about “anger is the color I sometimes paint the town with … louder than incoming and the sirens they play when I hit the deck … I’m just a pile of tears needing to punch you”. Another former Marine, Jon Turner, punches at everything in sight in Iraq and back home in a string of explosive, insightful, drunken, cold sober images of human encounters, rejections, attempts at reaching out that ends with these lines:

In the unwritten letters and poems—
are the hidden faces of war

Several pieces reach breathtakingly out of inner turmoil to find an uplifting path. “I desire to trust life,” writes former Marine Liam Madden, “to cultivate my unique and needed gifts/Loving with abandon/ I intend to weave a web of gratitude into my community.” His poem “Intention” is the first in the book, followed by a wide array of perspectives drawn from a decade of war. The last poem is called “Brio,” in which Army veteran Maggie Martin, who served twice in Iraq, joins others in various civic actions:

I sow community in re-acquisitioned places,
Crowded city street, marching orders, protest song,
Our hands and mouths’ unsinkable strength.
…
Old constructs crumble and blow away,
new consciousness takes root.

The concluding section showcases photos of veterans at Warrior Writers workshops in cities around the country, accompanied by a quote by Eli Wright, a former Army combat medic: "I used to write before I went to Iraq, but when I got over there, I wasn't able to write. So through Warrior Writers I have been able to slowly begin to find my words again and share my experiences and what happened over there. It's been a healing experience."

The nearly 200-page anthology was compiled and edited by Lovella Calica, the director of Warrior Writers, which is based in Philadelphia, PA, with the assistance of a number of contributors and supporters. I aided the project as an advisor and copy editor. The book was artfully designed by Rachel McNeill, an Army veteran who included thought-provoking photos shot on patrols in Iraq by herself and others. A series of drawings and paintings titled “Dust Works” by Army National Guard veteran Aaron Hughes provides a visual theme of roads through war on the cover and throughout the book.

After Action Review (paperback, $20) is the third in a series of anthologies of writing and art by Iraq and Afghanistan veterans published by Warrior Writers, and is available at www.warriorwriters.org.

VFP Chapter 21 contributed to the financial support for this book project.

Happy Holidays

 

PEACE ON EARTH

Artwork on this greeting card was designed by Walt Nygard, a fellow Vietnam veteran; typesetting on the back is by Eli Wright, an Iraq war vet. 

The cards were handmade and printed by Walt, Eli and me at the Printmaking Center 

of New Jersey as part of a Combat Paper workshop.

Planting a Peace Pole

Jules Orkin and Puffin Peace Pole

Dedicating a Peace Pole at a community cultural center in Teaneck, NJ drew a small crowd of local officials, school children and war veterans the other day.

The carved wood pole was dedicated at the Puffin Foundation, as a band from Thomas Jefferson Middle School played and adults took turns exhorting the students and a television audience via a cable news program to help advance a cause that is often hard to hear in a nation engaged in seemingly perpetual war in various corners of the world.

“A world without war is a universal desire by untold millions of people,” Puffin Foundation Executive Director Gladys Miller-Rosenstein said on behalf of herself and her husband Perry Rosenstein, a retired industrialist and noted philanthropist. “We have sought to have our voices for peace heard. We have erected a ‘Peace Pole’ on our property. This pole will be shared by many young and old, who will take part in the varied cultural activities at our Forum. … There are presently 264 peace sites throughout New Jersey. We are proud to be one of the new sites in our state.”

“This is a community peace pole,” added Neil Rosenstein, vice president of the Puffin Foundation. “Peace is only achieved through community.” One of the community leaders, School Superintendent Barbara Pinsak, praised the Rosensteins—whose foundation assists local and regional arts programs, conservation and environmental education programs, as well as social action and investigative journalism projects—as role models. 

“This is one of the things I am very proud to welcome to Teaneck,” said state Senator Loretta Weinberg, a well-known champion for a substantial agenda of domestic issues. “May peace prevail on Earth,” she said, quoting the message on the pole, which is printed in eight languages. “It is not an easy goal. It’s a long struggle.”

The idea of planting a peace pole at the Puffin Foundation, which hosts an eclectic collection of outdoors sculpture, was proposed by Jules Orkin, a member of Veterans For Peace, Chapter 21 New Jersey. A retired bookstore owner from neighboring Bergenfield, Orkin was named a Puffin Peace Fellow earlier this year in recognition of his participation in numerous peace walks, vigils and civil disobedience actions in protest of the current wars in Iraq and Afghanistan.

In his comments, Orkin proposed organizing “a walk between peace poles,” such as the annual walk in neighboring Leonia between peace poles at the high school and the Methodist Church to mark the United Nations International Day of Peace. And then he was off to pack for a peace walk from Atlanta, Georgia to Ft. Benning, Georgia to protest the training program based there for military officers from Latin American nations that until recently were bastions of military dictatorships.

Walt Nygard, vice president of Veterans For Peace Chapter 21, spoke about transforming Veterans Day to the original, peacemaking intent of Armistice Day.   

Township Councilwoman Barbara Toffler offered an historic note of hope for peaceful change in the world. “There is a legacy of peace in Teaneck,” she said, holding up a copy of Teaneck High School’s 1959 yearbook. “The Class of 1959 dedicated its yearbook to peace,” she said, reading from that dedication, composed amid the Cold War nuclear missile stand-off with the Soviet Union by students who were born during World War II.

Peace Poles grew out of a project of The World Peace Prayer Society that began in Japan in 1955 as a response to the atomic bombings of Hiroshima and Nagasaki.

For more information:

http://www.ny1.com/content/your_nj_news_now/150545/teaneck-peace-ceremony-spans-all-ages

http://www.peacepoleproject.org/

Peace Is Patriotic

Walt Nygard at Peace Pole dedication

Comments by VFP Chapter 21 Vice President Walt Nygard, US Marine Corps veteran of Vietnam war,  at dedication of the Puffin Peace Pole at Puffin Cultural Center, Teaneck, NJ on 11/9/11.

Friday is Armistice Day.  Originally meant to honor American soldiers killed in World War I, it was a celebration - of sorts - of the peace that had arrived at the end of the War to End All Wars.  Since then, Veterans Day has become a day to honor succeeding generations of American veterans, as the idea of lasting peace was never seriously pursued by the governments of the world or their various owners.

 The day itself all too often becomes a spectacle of militarism and bogus patriotism.  Spewed by politicians and businessmen who've never heard a shot fired in anger, patriotism - like Armistice Day itself - is now held hostage by those untroubled by the idea of endless war.

 Their words mean nothing.  History will record who the patriots were.  Our bloody Twentieth Century has now passed away.  We are at a time and place of change and so that when our history is written, the stories of Joe Hill and Gene Debs and Woody Guthrie will be as one with those of Alvin York and Audie Murphy and John Basilone.  

The struggle for peace is surely fighting for one's country.  Peace is patriotic.  Keep up the fight!

The War at Home

Scott Olsen (photo/AP)

In Boston, Massachusetts and Oakland, California, Veterans For Peace members have been assaulted by police while peacefully demonstrating on behalf of Occupy Wall Street protest groups’ constitutional rights.

The most seriously injured is Scott Olsen, a Marine vet of two tours in Iraq, who was hospitalized with head injuries after police in Oakland fired tear-gas canisters and other projectiles into an Occupy Oakland crowd assembled in front of City Hall. Olsen was wearing a Veterans For Peace T-shirt and desert camouflage field jacket and hat when he was struck in the forehead. He is also a member of Iraq Veterans Against the War.

“It was like a war zone,” Joshua Shepherd, a fellow vet who was standing near Olsen while dressed in his Navy uniform and holding aloft a highly visible, white Veterans For Peace flag, told The Associated Press. “Shepherd said it’s a cruel irony that Olsen is fighting for his life in the country that he fought to protect. ‘He was over there protecting the rights and freedoms of America and he comes home, exercises his freedoms and it’s here where he’s nearly fatally wounded,’ Shepherd said.”

In Boston, police knocked down, clubbed and tore Veterans For Peace and an American flag from the hands of a group of peace activist vets standing between the police assault and an Occupy Boston encampment the authorities set out to destroy. Among those dragged off to a paddy wagon was Rachel McNeil, an Army vet who served in Operation Iraqi Freedom and was holding an American flag. Her crime: “Rachel loudly and continuously led a chant of the Oath (I do solemly swear to uphold and defend the Constitution of the United States of America against all enemies foreign and domestic); but she alternated it with ‘We have a permit.  It's called the Constitution’ and also ‘This is a peaceful demonstration,”" a fellow Vets For Peace member noted.

Rachel McNeil (right) and fellow VFP members

“VFP members are involved with dozens of these local ‘occupy movement’ encampments and we support them fully,” VFP national officers stated.  “In Boston, for example, our members, wearing VFP shirts and carrying VFP flags, stood between a line of police and the encampment, urging police to ‘join the 99%’ and not evict the protesters.  In that case, several of our members were banged and bruised when the police decided instead to carry out their eviction orders…

“As with virtually every example of the occupy movement across the country, those encamped were conducting themselves peacefully beforehand, protesting current economic, social and environmental conditions in the U.S. brought about by decades of corporate control, a criminal financial industry and wars in Iraq and Afghanistan that are driving the U.S. global empire into bankruptcy.  These ‘occupy movement’ participants are telling us something we need very desperately to hear.  They should be listened to, not arrested and brutalized.

“Police in the majority of cities are acting with restraint and humanity towards the encampments, but Veterans For Peace will not be deterred by police who choose to use brutal tactics.  In fact, as happens with repression everywhere, more people join the cause.”    

Indeed, as The New York Times reported today, “the wounding of an Iraq war veteran … has provided a powerful central rallying point.” Thousands of people streamed into downtown Oakland the next day for a peaceful gathering on behalf of the Occupy Oakland movement. The mayor of Oakland commended the movement’s goals. The police promised an investigation into what caused Olsen’s injuries. News reports and videos taken at the time show what happened.

“ Scott Olsen, a 24-year-old Marine who served two tours of duty in Iraq, stood calmly in front of a police line as tear gas canisters that officers shot into the Occupy Oakland protest Tuesday night whizzed past his head,” the San Francisco Chronicle reported today.

"’He was standing perfectly still, provoking no one,’ said Raleigh Latham, an Oakland filmmaker shooting footage of the confrontation between police and hundreds of protesters at 14th Street and Broadway. ‘If something didn't hit him directly in the face, then it went off close to his head and knocked him down.’ The something was a projectile that apparently came from police lines, fractured Olsen's skull and put him in Highland General Hospital. Doctors upgraded his condition Thursday from critical to fair, and said they expect him to make a full recovery.”

Like many members of Vets For Peace, Scott Olsen felt it was important to demonstrate the peaceful presence of military veterans at the Occupy Wall Street encampments that have sprung up around the country. As The Associated Press noted in a report carried by Business Week and news publications nationwide, Olsen “makes a good living as a network engineer and has a nice hillside apartment overlooking San Francisco Bay. And yet, his friends say, he felt so strongly about economic inequality in the country that he fought for that he slept at a San Francisco protest camp after work.

"’He felt you shouldn't wait until something is affecting you to get out and do something about it,’ said friend and roommate Keith Shannon, who served with Olsen in Iraq.”

For more information:
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/10/28/MND61LN3LM.DTL

http://www.businessweek.com/ap/financialnews/D9QKTHS82.htm

http://www.veteransforpeace.org/news_detail.php?idx=123

Protest at Wall Street

Ken Dalton (center) holds VFP banner at Wall St. protest

A contingent of Veterans For Peace Chapter 21 and Military Families Speak Out members from New Jersey joined the Occupy Wall Street demonstration on Saturday, October 8.

Many in the crowd of young people, older folks who dusted off memories of the protests of the '60s and '70s, and photo-snapping tourists seemed delighted to see the VFP banner unfurled near a corner of Liberty Plaza facing the new office towers being constructed at the site of the former World Trade Center. Among the Jersey contingent was VFP Chapter 21 President Ken Dalton, a Navy vet of the Vietnam war, who worked as a fire fighter in search and rescue operations at Ground Zero in the wake of the Sept. 11, 2001 attack.

A common question of news reporters who stopped by for a comment was “What do war and Wall Street have in common?” Duh. Millions of unemployed veterans and other folks caught in the web of trillion-dollar wars and an economic collapse that the federal bailout of Wall Street banks was supposed to fix could have told them in a New York minute.

Many of the demonstrators in New York on Saturday eloquently stated the reasons for their dismay in an array of hand-made signs, some of which are shown here.

(Photos by Jan Barry)

Peace Beat

By Jan Barry

War drums began beating across America before the dust settled at the World Trade Center and the Pentagon. It’s an all-American tradition to march to the beat for military action, the fountain of flag waving excitement that produces legions of war correspondents, bugle-blaring headlines and armchair commandos in newsrooms.  

It is rare to hear that a drum-beat journalist felt, in retrospect, that rushing to war was perhaps a grave mistake. It’s almost historic, in fact, to see the reconsideration that Bill Keller, a top editor and columnist at the New York Times, published amid the flood of 9/11 commemorations on the 10^th anniversary of that explosive spark of war the US expanded to places most Americans had barely heard of before.

“The world is well rid of Saddam Hussein. But knowing as we now do the exaggeration of Hussein’s threat, the cost in Iraqi and American lives and the fact that none of this great splurge has bought us confidence in Iraq’s future or advanced the cause of freedom elsewhere— I think Operation Iraqi Freedom was a monumental blunder,” Keller wrote in a New York Times Magazine article revealing his conversion from the war hawk club of liberals beating the drums for military invasions of Afghanistan and Iraq.

Aside from this astonishing note of atonement, the bulk of the Times’ massive retrospective in the Sunday newspaper is essentially a monument to the US news media’s cheerleading for a decade of military blunders.

A major reason for this is that, for all the war correspondents and warrior-editors, there are few if any journalists assigned to cover waging peace.

Do editors at the Times and other mainstream news organizations ever travel outside military-oriented circles and see what groups such as September 11th Families for Peaceful Tomorrows, Peace Action, Veterans For Peace or the US Institute of Peace are doing? Even small newspapers have a military affairs reporter. Does any news organization in America have a peace beat?

The glaring lack of coverage of peace groups’ actions spurred a special report earlier this year by the Nieman Watchdog website of the Nieman Foundation for Journalism at Harvard University.

“Antiwar activists repeatedly stage dramatic acts of civil disobedience in the United States but are almost entirely ignored by mainstream print and broadcast news organizations. During the Vietnam era, press coverage of the fighting and opposition to it at home helped turn public opinion against the war. This time around lack of homefront coverage may be helping keep military involvement continue on and on,” wrote John Hanrahan, a former Washington Post reporter.

“By ignoring antiwar protests almost totally, editors are treating opposition to the ongoing war in Afghanistan much as they handled the run-up to the war in Iraq: They are missing an important story and contributing to the perception that there is no visible opposition to the U.S. wars and ever-growing military budgets, even as polls show overwhelming support for early U.S. military withdrawal,” Hanrahan continued.

Among the examples of non-coverage of significant events that Hanrahan cites is this:

“Last December 16, in a demonstration organized by Veterans for Peace, 500 or more people gathered outside the White House, as snow was falling, to protest the war and to support Wikileaks and accused leaker PFC Bradley Manning. As Nieman Watchdog reported in a previous piece in this series, there were 131 arrests – including a sizable number of veterans of current and past wars – for nonviolent acts of civil disobedience. (This was the most arrests at the White House at any point in 2010.) One of the arrestees had chained himself to the White House fence and another to a lamppost. Additional newsworthy factors: Among those arrested were the nation’s most famous whistleblower (Daniel Ellsberg); a Pulitzer Prize-winning reporter (Chris Hedges, the former long-time war correspondent for The New York Times); a much-praised FBI whistleblower (Coleen Rowley); a former CIA analyst who used to prepare daily presidential briefings (Ray McGovern), among others. Additionally, the demonstration seemed newsworthy because it coincided with both the release of the Pentagon’s latest progress report on Afghanistan to President Obama and the results of a new ABC/Washington Post poll in which 60 percent of Americans responded that the Afghanistan war had not been ‘worth fighting.’

“The event was covered by The Huffington Post, the Socialist Worker, OpEd News, Salem-News.com in Oregon, and the Sydney (Australia) Morning Herald, but was ignored by The Washington Post, The New York Times and almost all other mainstream media,” Hanrahan found.

Veterans For Peace protest at White House

 As the Nieman report notes, there’s been a colossal failure of balance in coverage of what’s going on in the world. It’s a cultural failure, as well.       

“It’s been a decade since 9/11, time enough to let go and shift the way we approach our decisions about war, right?  One might think so, but … I’m beginning to question if and when we will choose to let go and imagine a new way forward,” notes James A. Moad II, an Air Force officer whose career as an airline pilot was diverted to military missions by the long war. 

“Like most Americans of drinking age, that September day is seared into my subconscious,” he continued. “As a young commercial pilot back then, I can still remember my own nightmares as I imagined what took place in those cockpits, thinking about an old pilot buddy who’d been murdered there, and more than anything, the feeling of insecurity reverberating out from the rubble of those two towers like great clouds obscuring the future and limiting us, blotting out the imagination necessary to see beyond the anger and destruction.”

Moad’s incisive comments were not conveyed in the New York Times’ galaxy of 9/11 reminiscences, but in a War, Literature & The Arts Blog that he administers.

The internet and community-oriented newspapers provide a vital forum for many voices with a different perspective than the usual sources featured in the national news media.

"One of the outcomes of 9/11 is we need to make the decision about what kind of society we want to be," Andrea Leblanc, whose husband Robert died on United Flight 175 when it smashed into the South Tower of the World Trade Center, told a local newspaper in New Hampshire, Foster’s Daily Democrat. "What do we want to teach our kids? The story isn't about the fact that for 10 years I've been a widow. It's about the real cost of 9/11. I think this country squandered its moral authority. To me, it's all about peace; what societies are doing to either move toward or away from conflict."  

Leblanc credited fellow 9/11 survivors with providing a compassionate, activist community of support for her anguish.

“An eye opening thing for Andrea through her involvement with September Eleventh Families for Peaceful Tomorrows is the people all over the world who are reaching across borders to converse and share with other cultures,” Foster’s reporter Jennifer Keefe wrote. “She noted the numerous women's networks in Afghanistan and youth networks that reach out via Skype to hold conferences with other youths to talk about love and understanding. The groups and organizations dedicated to forming unity and speaking out in the wake of 9/11 are not in short supply, and demonstrate each day there is a compassion across borders that breaches even the deadliest of wars.”

It’s not hard to find these stories. In Philadelphia, PA, CNN filmed a Saturday night crowd at World Café Live drawn to an evening celebrating peace and ice cream. “Philadelphia-based Christian author and activist Shane Claiborne partnered with Ben Cohen, co-founder of Ben and Jerry’s Ice Cream, to raise public awareness about federal military spending,” noted CNN’s website report.

“The evening started off on a somber note with Cohen pouring 10,000 BB gun pellets into a metal container to illustrate the power of the United States’ nuclear arsenal in front of a stunned audience. ‘It’s that kind of overkill mentality that drives an out-of-control Pentagon budget,’ he said.” Another part of his demonstration is a tall stack of oreo cookies looming over tiny piles of cookies representing the military vs. everything else in the federal budget’s priorities.

Winding up the evening, Cohen said: “If we’re going to have fewer bombs and more ice cream, we need to shift our budget to what helps people live instead of killing people.”    

The ice cream business maven has traveled the nation and partnered with community activists, business executives, war veterans and many others to present a stunning critique of military spending overseas while the home front economy crumbled. I first saw his BB and cookie demonstration at a journalists’ conference in Vermont five years ago. Video versions from presentations around the country are all over YouTube.    

For more information:

http://www.nytimes.com/2011/09/06/us/sept-11-reckoning/keller.html?_r=1&scp=2&sq=%22bill%20keller%22&st=cse

http://www.niemanwatchdog.org/index.cfm?fuseaction=Background.view&backgroundid=563

http://www.fosters.com/apps/pbcs.dll/article?AID=/20110911/GJNEWS_01/709099949/-1/FOSNEWS

http://religion.blogs.cnn.com/2011/09/11/jesus-bombs-and-ice-cream/

Jan Barry is an award-winning investigative journalist. He has been a peace advocate since resigning from the US Military Academy after serving an Army tour in Vietnam.

Why You Won’t See Veterans For Peace on the Cover of TIME Magazine

Published on August 31, 2011 by CommonDreams.org

by Leah Bolger

The cover of the August 29, 2011 issue of TIME magazine features five members of Iraq and Afghanistan Veterans of America (IAVA), with the caption “The New Greatest Generation.” The point of author Joe Klein’s article is that the wars in Iraq and Afghanistan have created a new kind of veteran who is “bringing skills that seem to be on the wane in American society, qualities we really need now:  crisp decision making, rigor, optimism, entrepreneurial creativity, a larger sense of purpose and real patriotism.” Klein profiles a small number of veterans (including a Harvard valedictorian, a Rhodes scholar, and a Dartmouth grad) who have done well since returning to civilian life and credits their military service as the reason, then goes on to make a sweeping generalization that the Iraq and Afghanistan wars have created a whole new generation of hard-working, disciplined young citizens who have something “more” to offer than their civilian counterparts.

It is articles like this that perpetuate the meme that anyone who ever wore a military uniform is a “hero.”  TIME magazine is part of the biggest media conglomerate in the world, and corporate media is the lubricant that keeps the well-oiled military machine humming along so smoothly.  By glorifying this “new generation”  of veterans, they are adding to the layers of positive messaging about war and militarism, which the American public seems eager to absorb.  We don’t want to ask ourselves the hard questions because we might not like the answers.  The media conflates the military members with the wars themselves and produces layers upon layers of nothing but superficial “feel good” messages which eventually form a fairly unimpugnable depiction of our military, wars and militarism, and anyone who questions the wars risks being decried as unpatriotic.  Congressmen fund wars they don’t agree with because they can’t afford the political cost of not “supporting the troops.”

Klein briefly mentions the high rates of suicide, domestic violence, joblessness and homelessness amongst Iraq and Afghanistan vets, but then dismisses it all by saying that that’s all we ever hear about—he wants to tell us the untold story of a handful of vets who came out of their military experience and moved forward in a positive way.  But the real untold story is the truth of war, and we will never read about that in the likes of magazines like TIME. 

The mission of IAVA is “to improve the lives of Iraq and Afghanistan veterans and their families,” and they are very good at that.  They have a multi-million dollar budget, have ready access to the top Congressional leaders and have even met with the President on more than one occasion.  The Executive Director of IAVA, Paul Rieckoff, has appeared hundreds of times on all the major media outlets.  Why is it that IAVA is given so much media exposure, so much access, and so much money?  The answer is that they do not question the legality or morality of war.  They are not critical of the complicity of the corporate media in fostering and supporting militarism.  They want only to support our troops, and who doesn’t want that?

The mission of Veterans For Peace is to end war as an instrument of national policy by educating the public about its true costs and consequences.  Veterans For Peace has been around since 1985 telling the ugly truth of war.  Our members understand the devastating effects of war on both sides of the conflict.  We seek justice for the victims of war—not just ensuring care and benefits for our soldiers, but also reparations for innocent civilian victims.  We know that wars of aggression are the most egregious crime there is, and we point an accusing finger at our government, the military-industrial complex, and the corporate media who collude to keep the United States in a perpetual state of war.  We try to use the power of our first-hand experiences and stories to prevent wars from happening and to end them once begun.  We don’t sugarcoat the experiences of war and the militarism.  We believe that if the American people saw the real truth of war, they would end it.  Think we’ll be on the cover of TIME magazine anytime soon?  Don’t hold your breath.

Leah Bolger spent 20 years on active duty in the U.S. Navy and retired in 2000 at the rank of Commander.  She is currently a full-time peace activist and serves as the National Vice-President of Veterans For Peace.

Local Campaign on Federal Budget Priorities

Sign at recent Teaneck Peace Vigil

If ordinary citizens could decide how to spend one million dollars on behalf of the nation, what would they spend the money on?  That was the idea behind handing out copies of $1 million bills to people who stopped by the NJ National Guard Armory in Teaneck last week during the weekly peace vigil at the corner of Teaneck and Liberty roads.

“Jobs Not War,” Veterans For Peace member Tom Urgo, a plumber from Ridgewood who served in the US Army in Vietnam, wrote on the back of one of the bills. “Resurrect the W.P.A. & the C.C.C.,” wrote another North Jersey resident, referring to the federal agencies created by President Roosevelt to provide government-subsidized jobs building schools, roads, state and national parks during the Great Depression in the 1930s.

“Spend our tax dollars for people’s needs, not to kill people. Use this money to create jobs, fund education & medical care, and finance our state & local governments,” wrote Joseph Harris, a labor mediator from Teaneck.  

These and other handwritten budget messages are being sent to New Jersey’s congressional delegation.

Other budget priorities presented by more than two dozen people who took time to write their thoughts include: housing for the homeless, Veterans Affairs, AIDS and drought relief in Africa, the Peace Corps and to establish a Peace Department.

While not drawn from a scientifically random survey of North Jersey residents, the budget priorities expressed by these concerned citizens closely match those of the American public as shown in national polls. “Unemployment and jobs” topped a Bloomberg National Poll in June, while the war in Afghanistan only drew 5 percent support as the nation’s most pressing issue.

A University of Maryland study released in March found similar concerns in its national survey.  "Clearly both the administration and the Republican-led House are out of step with the public's values and priorities in regard to the budget," said University of Maryland School of Public Policy researcher Steven Kull, who directs the Program for Public Consultation, which did the study. "Our respondents would more than double funding for job training and cut deeply on defense."

The $1-million budget priorities campaign was inaugurated during the 6^th anniversary of the weekly peace vigil at the National Guard Armory. The event is sponsored by the Teaneck Peace Vigil, Military Families Speak Out, Bergen County; Veterans For Peace, Chapter 21 NJ; Bergen Greens and New Jersey Peace Action. The peace vigil goals are: The immediate return of all troops and military contractors from Afghanistan and Iraq, proper care for the troops when they return, maintain the NJ National Guard in New Jersey, and use war dollars at home for community benefits.

Welcome Home

Among the highlights of the 2011 Veterans For Peace convention in Portland, Oregon earlier this month was a showing of a new documentary, "The Welcome," on a memorable community event that several VFP members helped create and foster.

Eli Painted Crow and fellow vets in "The Welcome"

By Jan Barry

Bob and Moe Eaton’s marriage, shadowed for more than 30 years by nightmares from the war in Vietnam, was about to implode. Ken Kraft, an Army officer who proudly served in Iraq, felt betrayed by his son’s refusal to carry on the family tradition of military service. Eli Painted Crow, a former Army drill sergeant, felt betrayed by the nation that sent her to war on dark-skinned, tribal people like herself.

These were just some of the rubbed-raw emotions that a couple dozen war veterans and several family members brought to an unusual retreat in Oregon. In this deceptively quiet setting, a film crew recorded real life dramas brimming with outbursts of bitterness and laughter, tears and hugs, dark humor and dawning revelations. The focus of the four-day gathering, just before Memorial Day 2008, was to sort out what they wanted to say—in a poem or a song or a concise statement—to a crowd of people preparing a public event to welcome these warriors home from war.

“I’m asking you to f------ listen!” Eli Painted Crow shouted at the other participants in a particularly tense point in the new documentary called “The Welcome.” A retired Army sergeant and Native American peace activist, Painted Crow was fed up with interruptions as she attempted to explain how she felt about her deployment in Iraq, where fellow soldiers called combat areas Indian country. “I just want to be heard with your hearts,” she added, before stomping out the door to cool off. “If you don’t hear me with your hearts, I can’t heal.”

In another scene, a member of Veterans For Peace said he felt like the enemy in Vietnam. Another Vietnam vet retorted that he wasn’t the enemy but killed people who were the enemy. That set off a whirlwind of war justifications by other veterans.

Such scenes pull viewers intimately into the inner turmoil of the aftermath of war that swirls through many veterans across America. Throughout the 93-minute film directed by Kim Shelton, veterans and family members openly struggle to tame the turmoil long enough to find some pathway to healing.

“Sometimes you stumble into something out of a sense of duty or good intentions only to find yourself absorbed and overwhelmed beyond anything you might have anticipated,” a reviewer for The Oregonian, Shawn Levy, wrote of this low-budget film that was an audience hit at the Ashland (Oregon) Independent Film Festival this spring.

“From virtually the outset, with a poem by Laura Carpenter, a veteran of Afghanistan about to deploy to Iraq, ‘The Welcome’ drills directly through any emotional reserves you might bring into it,” Levy added. “You're unsteadied, startled, galvanized, and brought to sobs again and again.  There are dark jokes and harrowing accounts of the hellish confusion of war and its grip on the memory.  There are angry outbursts as the various veterans try to establish terms of respect and conduct with one another.  There are wry laughs and monumental silences.  And there are staggering moments of courage in which the veterans look as if they're merely speaking aloud but in which they are actually performing open-heart surgery on themselves -- in front of an audience and a movie camera.”

Amazingly, the participants ignored the camera as they candidly interacted with each other and with retreat leader Michael Meade, described by the filmmakers as a “mythologist and story teller who specialized in working with traumatized communities.” Meade’s ritualistic mixture of Native American chants and Irish stories grated on Eli Painted Crow and another Native American woman veteran. But after an outburst about respecting traditions, they participated on their terms.

“One of the ways to heal is to find out what our gifts are and begin practicing giving them,” Meade said, in guiding the group to write poetry, which he defined as “the speech of the soul,” in preparation for a Memorial Day event at the Oregon Shakespeare Festival in Ashland.

Retired Army Captain Ken Kraft wrestled with how to make sense of a phone call he’d gotten in Iraq that his son had deserted from Army ranger training and denounced the war. He felt betrayed, he said, and bolted from the podium back to his seat. At the Memorial Day event, Kraft praised the intense interaction at the retreat and read a poem about his pride in being a soldier and noted that he was trying to reach out to his son.

A young woman veteran shyly read a poem about the shame of a sexual assault by a military superior. Another young woman vet read a poem about older veterans reaching out and clearing a path for them.

Cynthia Lefever, whose son was severely wounded in Iraq, read a poem about a dream in which rows of wounded soldiers marched down a road toward her, beseeching: “Be our mom—for God’s sake, bring us home!”

“I found a voice I didn’t know I had,” Mandy Martin, another of the retreat participants, said in a recent PBS television interview. "The impact has been pretty immense," she said of the veterans' healing project. A follow up on the film website notes that she now works at the Department of Veterans Affairs as a congressional communications officer.

Moe Eaton, whose husband Bob served in Vietnam, read a poem about his frightening mood swings and suicidal statements. “Me: Why can’t you count your blessings? He: I don’t know.”

Bob Eaton then haltingly told a story, which he said he’d never been able to tell his wife, about surviving a battle in Vietnam and having to shovel up the remains of dead soldiers blown apart by artillery explosions. “I thought every f------ night that that was going to happen again,” he added.

At the Memorial Day event, Bob Eaton pulled out a guitar, stared at the packed auditorium full of neighbors, friends and strangers and brought down the house with applause when he growled “I was heavily medicated for depression. I wanted to get off the medication and took up the guitar. You’re the first audience I’ve ever played for.”

“You’re coming home/ Feeling all alone/ Thousand-yard stare/ Nobody there,” he sang and then stopped, nearly breaking down. The audience clapped again encouragingly. “When will it end?/ The guilt and the shame/ Now it’s back again,” he continued.  “That old war/ It still haunts me.”

In a recent PBS television interview about the film, Moe Eaton said the couple’s participation in the veterans’ retreat “had a lot to do with saving our marriage.” She realized, she said, that Bob’s war nightmares wouldn’t go away by continuing to say “get over it.”

For Bob Eaton, playing a song he wrote at the Memorial Day “Welcome Home” event launched a new career singing at veterans’ gatherings. “It gave me the courage to keep going,” he said.

The documentary was made by Kim Shelton and her husband, Bill McMillan, who are both therapists in Ashland, Oregon. They created the Welcome Home Project to provide resource materials for communities interested in holding similar events and are seeking film festivals and organizations that would be interested in hosting showings of the film.

For more information:
http://www.thewelcomehomeproject.org/
http://www.thewelcomethemovie.com/
http://blog.oregonlive.com/madaboutmovies/2011/04/ashland_independent_film_festi_1.html

In fighting wars, do the math

This letter to the editor appeared in The Record (Bergen Co. NJ) on July 29, 2011 

Recently, a friend of mine, also a retired teacher from Paterson, e-mailed with some information about the costs of the Iraq and Afghanistan wars. I kind of put it aside. However, when I had some free time I took up his challenge and did the math, as he suggested.

My friend contended that if you spent $1 million a day from the time Jesus Christ was born to the present, you wouldn't have spent as much as we did in Iraq and Afghanistan over the last 10 years. I multiplied 365 by 2,010, which gave me a total of 734,154 days (503 leap years). Multiplied by $1 million, I came up with $734.2 billion, which is more than half of what we have spent on the Iraq-Afghanistan wars ($1.3 trillion and counting). It's also a little more than half of what the Department of Defense gobbled up in two years.

It seems incredible that we're spending that kind of money on wars of choice and weapons to fight an enemy that no longer exists, the Soviet Union, while we're cutting money to things we desperately need here at home, like health care, education and public transportation.

As Martin Luther King Jr. proclaimed, "Any nation that continuously spends more on weapons of defense rather than uplifting its citizens is a nation approaching spiritual death." I would add that we reached that point many years ago, and we're now in the middle of financial and political death.

In 1953, President Dwight Eisenhower, a retired professional military man, had these thoughts: "Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed.

"This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children."

I hope readers will encourage their representatives in Washington to try doing the math for once.

Ken Dalton
July 20

The writer is president of Veterans For Peace, Chapter 21, in New Jersey.

Sailing for Peace

Golden Rule in June 1958 (Honolulu Star-Bulletin photo)

Beyond the July 4th fireworks celebrating historic battles against the British empire, American history includes many other memorable moments when courageous acts of conscience stirred the nation to steer a peaceful tack against the winds of war. One of those moments was in the spring of 1958 when a retired Navy captain, Albert Bigelow, set off in a small sailboat to nonviolently challenge the United States military use of the South Pacific as a nuclear weapons testing zone.

Concerns about radioactive fallout from nuclear bomb tests and the possibility of nuclear war worried many people around the world. When authorities stopped the “Golden Rule” as it sailed out of Hawaii and arrested Bigelow and his peacenik crew, a tsunami of antinuclear testing protests erupted across America. “Later that year, the beleaguered U.S. government agreed to a nuclear testing moratorium,” historian Lawrence S. Wittner recently noted in an article in Z magazine on the impact of what he called the “legendary” sailboat.

Bigelow—a World War II veteran who died in 1993 at age 87—continued protesting preparations for waging nuclear war and what he saw as other outrages, joining the Freedom Riders in 1961 on another history-changing journey. The “Golden Rule,” meanwhile, sailed off into oblivion until it was dredged up last year from the bottom of Humboldt Bay in northern California.

Shipyard owner Leroy Zerlang was torn between cutting up the salvaged wreck or preserving it in a museum, Wittner wrote. Now a crew of history-minded volunteers is working to restore the 30-foot wooden ketch and sail her under the flag of Veterans For Peace. "She's going to be the peace boat out to confront militarism and needless war," project coordinator Fredy Champagne recently told The Sacramento Bee.

“It was the Golden Rule's peace mission that captivated Champagne,” noted Bee correspondent Jane Braxton Little. “After a year of combat in Vietnam, he retreated to the hills of Humboldt County, living as a recluse with post-traumatic stress disorder. One morning in 1988, he suddenly decided to build a hospital in Vietnam.

“Since then Champagne has organized 23 teams of veterans to build dozens of medical facilities, schools and homes in Vietnam. His ‘people-to-people diplomacy’ campaign also includes driving the Kosovo Peace Bus, which held ‘teach-ins’ in major U.S. cities; building water systems in Iraq; and organizing a 2000 trip to Cuba for the Lost Coast Pirates Little League team.

"”Waging peace has saved my life,’ said Champagne.”

Champagne and other members of the Golden Rule Project of Veterans For Peace set a goal of raising $50,000 for repairs, including replacing the deck and cabin. They plan to launch the ship by next summer to tour U.S. waterways to promote the peace group’s “goals of nuclear disarmament, abolishment of war,” Champagne wrote in a report in the current issue of the Veterans For Peace Newsletter.

The Golden Rule Project organizers’ vision and enthusiasm is contagious, Grandmothers for Peace International’s director, Lorraine Krofchok, stated in that organization’s spring 2011 newsletter.

“This little ketch could be used to educate ‘the future’ and how peace is the only alternative to constant war and aggression,” Krofchok wrote after visiting the storied sailboat in dry dock in Fairhaven, California. “Our oceans are bombarded with ‘war games.’ The Golden Rule could become a lead boat in a Flotilla of Peace.”

For more information:
http://www.vfpgoldenruleproject.org/
http://www.zcommunications.org/the-golden-rule-will-sail-again-by-lawrence-s-wittner
http://www.sacbee.com/2011/06/28/3731864/eureka-volunteers-work-to-restore.html#ixzz1RI61yj6A

Grassroots Peace Actions Guide

Grassroots Peace 

Actions: 

A Guide for Engaging 

Communities

"Don't say it can't be done."

--Pete Seeger, “Take it from Dr. King"

"Peace is a daily, a weekly, a monthly process, gradually changing opinions, slowly eroding old barriers, quietly building new structures."

--John F. Kennedy, Speech to United Nations, Sept. 20, 1963

Here are some suggestions for extending networks of peace actions based on work done in Bergen County, NJ and elsewhere:

1. Costs of War exhibit/posters/flyers

For example: http://janbarryphotojournal.shutterfly.com/pictures/143

2. Combat Paper/Warrior Writers workshops/events

Further information: http://www.warriorwriters.org/ and http://www.combatpaper.org/

3. Film showings/guest speakers with panel discussions

i.e: http://vetsforpeace21.blogspot.com/2011/06/poster-girl-showing-draws-crowd.html

4. Billboards with peace messages

5. Peace vigils, demonstrations and related activities

For example: http://www.mfsobergencounty.org/Local_Events.html

6. Letters to editors in local newspapers

7. Meetings with members of Congress

8. “Peace Is Patriotic” contingents in Memorial Day/ July 4th/ Labor Day/ Veterans Day/ Martin Luther King Jr. Day parades

9. Poetry/music events by war veterans, families and peace supporters

10. Resolutions to bring troops and military funding home from Afghanistan and Iraq – by municipal councils, county and state legislatures

11. Networking with community/social justice groups

12. Guest speakers in school and college classes

13. Information tables/booths at festivals and other events

14. Facebook page/website/blog on local actions for peace

Compiled by:

Military Families Speak Out, Bergen County

www.mfsobergencounty.org

Veterans For Peace, Chapter 21 NJ

vetsforpeace21.blogspot.com

“Poster Girl” Showing Draws Crowd

Robynn Murray (photo/Stefan Neustadter)

"Poster Girl,” the 2011 Oscar-nominated documentary, drew a standing-room-only crowd of more than 100 people in a recent showing at the Puffin Cultural Forum in Teaneck. The June 1 event also included a discussion with director Sara Nesson and Robynn Murray, the Iraq war veteran whose story is the focus of the film, which stirred a flurry of questions from the audience.

The 38-minute film unveils the life of a high-school cheerleader from Niagara Falls, NY who enlisted in the Army and ended up on combat patrols in Iraq, becoming a “poster girl” for women at war featured on an “Army Magazine” cover. Back home, Sgt. Murray battled the debilitating effects of post-traumatic stress disorder and other injuries.

Shot and directed by filmmaker Sara Nesson, the film focuses on a veteran’s home front journey of anguish, rage and renewal. In hand-held camera shots, it shows her frustration in seeking Veterans Affairs aid, including her medical records being lost at the Buffalo VA office. In a creative turn of events, the camera closely follows Murray as she moves from kicking car doors and punching walls to working out her own healing regime of art and poetry, symbolic displays of tattoos and feisty public speeches to lance festering war memories.

An unexpected setback, highlighted in the film, is VA medical treatments that subject veterans to astonishing amounts of medication. Murray said this caused more health problems, including addiction to morphine after surgery to repair a back injury.

“I was on 14 medications at one time, from the VA!” Murray told the Puffin audience. While some VA doctors and treatments were helpful, she said, a better approach to sustained healing was getting involved with art and writing projects sponsored by veterans groups, educational institutions and cultural centers.

“I’m doing much better now,” Murray said. “My getting involved with Combat Paper [art projects] and Warrior Writers changed my relationship with my healing. No longer was it something that happened to me. It was something that I owned.” Murray added that she discovered the writing and arts projects through involvement with Iraq Veterans Against the War.

Nesson encountered Murray at a Warrior Writers workshop on Cape Cod while making a documentary on veterans turning war memories into art. "Poster Girl" has been showcased at a number of film festivals and was selected by HBO for a cable TV run in the fall.

The showing at Puffin was cosponsored by Veterans For Peace, Chapter 21 NJ; Military Families Speak Out, Bergen County; Teaneck Peace Vigil, Bergen Grassroots, Central Unitarian Church Social Action Team, Leonia Peace Vigil Group, Bergen County Green Party, Rockland Coalition for Peace and Justice, Haiti Solidarity Network of the North East, NJ Peace Action, and People's Organization for Progress, Bergen County Branch.

Memorial Day Reflection

Arlington National Cemetery, Virginia

By Michael T. McPherson

Practically every city, town and village across the nation has at least one memorial to fallen soldiers. Many have many more than one. In the South, the deaths most honored are from the Civil War. This may hold true in the North as well. I respect and honor those who fell in battle as well as the veterans who survived war, but whom time has taken from us. It’s good to have obelisks and statues to remind us that people die in war, while acting on behalf of the United States.

Those who sacrifice and lose the most have the least to gain from war, and those who benefit the most almost always sacrifice and lose nothing. No matter my beliefs about the morality of war, the service members who died lost their lives for something bigger than themselves – whether they became soldiers to take care of their families or protect their buddies, or because they were drafted or believed in their country and the mission. We must honor that.

Spending the whole day eating and shopping is a desecration and honoring with monuments and words is not enough. To truly honor fallen soldiers requires self-reflection, questions and action. We must reflect on our part in their deaths. Are we allowing the blood of soldiers and civilians to be spilled in war because we are not willing to do the hard work of peace making? Hard work that may mean we must change our lifestyles, consume less and learn more about the world around us. Are we prepared to take any responsibility for our nation’s relationships with other countries? Are we willing to question our government's foreign policies and demand a change from domination to collaboration? Are we willing to take action to change ourselves so that our personal behavior and attitude reflects peace making rather than acceptance of war?

I believe the best way to honor those who have died in war, both combatants and civilians, is to work to abolish war. We must end the killing and suffering caused by war. This sounds idealistic because it is.

Idealism is one if the traits of humanity that sets us apart from the beast of nature. Striving for a higher purpose and looking to a higher calling brings out the best in us. If we truly want to honor those who died we must step up in an effort to ensure their death is not simply because we are too scared and selfish to take up the challenge to be better people.

This Memorial Day, after you eat, catch a sale, honor the dead at a memorial or leave flowers for a fallen solider; please take some time to reflect on what you can do to make the world more peaceful at home and abroad. Then go out and be the peace you want to see in the world.

Michael T. McPhearson was a field artillery officer in the 24th Mechanized Infantry Division during Desert Shield/Desert Storm, also known as Gulf War I. A Newark resident, McPhearson is the co-convener of United for Peace and Justice, and former executive director of Veterans For Peace.